رنگ خیال انگیز: دنیای رنگی سینمای صامت ۲۰۱۸
The Colour Fantastic: Chromatic Worlds of Silent Cinema 2018

1. TABLE OF CONTENTS

2. Introduction

3. Prologue. Questions of Colours: Taking Sides

4. NONFICTION AND AMATEUR CINEMA

1. Fireworks and Carnivals: Applied and Natural Colours in Italian Home Movies

2. Liminal Perceptions: Intermediality and the Exhibition of Nonfiction Film

3. Rough Seas: The Blue Waters of Early Nonfiction Film

8. NATURAL-COLOUR PROCESSES: THEORY AND PRACTICE

4. ‘Taking the color out of color’: Two-Colour Technicolor, The Black Pirate, and Blackened Dyes

5. Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology

6. Ziegfeldized Slapstick, Useful Comedy: Mack Sennett’s Slapstick Comedies under the Influence of Natural Colour

7. Kinemacolor and Kodak: The Enterprise of Colour

13. INTERMEDIALITY AND ADVERTISING

8. Rainbow Ravine: Colour and Animated Advertising in Times Square

9. Kodachrome’s Hope: The Making and Promotion of McCall Colour Fashion News

10. Chromatic Objects: Colour Advertising and French Avant-garde Films of the 1920s

17. ARCHIVING AND RESTORATION: EARLY DEBATES AND CURRENT PRACTICES

11. La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926–1927

12. A Material-Based Approach to the Digitization of Early Film Colours

20. ARCHIVAL PANELS (EDITED TRANSCRIPTS)

21. Preservation, Restoration, Presentation, and Policy

22. Digital Restoration

23. AUTHORS’ BIOGRAPHIES

24. BIBLIOGRAPHY

25. ACKNOWLEDGEMENTS

26. INDEX