روانکاوی و فیلم ۲۰۱۸
Psychoanalysis and Film 2018

1. Cover

2. Title Page

3. Copyright Page

4. Table of Contents

1. Introduction

2. The end of time: a psychoanalytic perspective on Ingmar Bergman’s Wild Strawberries

3. Hitchcock’s Vertigo: the collapse of a rescue fantasy

4. Neil Jordan’s The Crying Game

5. Hidden in the imagery: an unconscious scene in The Conformist

6. “Ah doctor, is there nothin’ I can take?”: A Review of Reservoir Dogs

7. Arthur Penn’s Night Moves: a film that interprets us

8. Lone Star: signs, borders and thresholds

9. Letters, words and metaphors: a psychoanalytic reading of Michael Radford’s Il Postino

10. Truffaut and the failure of introjection

11. I have not spoken: silence in The Piano

12. Over-exposure: Terry Zwigoff’s Crumb

13. Narrating desire and desiring narration: a psychoanalytic reading of The English Patient

14. The Remains of the Day

15. Deconstructing Dirty Harry: Clint Eastwood’s undoing of the Hollywood myth of screen masculinity

16. The thing from inner space: Titanic and Deep Impact

17. Chinatown

18. Saving Private Ryan’s surplus repression

19. M (1931)

20. Remembering and repeating in Eve’s Bayou

21. Watching voyeurs: Michael Powell’s Peeping Tom (1960)

22. Egoyan’s Exotica: where does the real horror reside?

23. The real thing? Some thoughts on Boys Don’t Cry

24. 15 minutes of fame revisited: Being John Malkovich

25. The Sixth Sense