امکانات عکاسی: استفاده بیانگر از مفاهیم، ایده ها، مواد و فرایندها ۲۰۱۷
Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes 2017

1. Cover

2. Halftitlepage

3. Titlepage

4. Copyright-Page

5. Dedication

6. Table Of Contents

7. Preface

8. Essential Moments in Photographic Printmaking

9. The Language of Photography

10. Concepts and Technology Affecting Photographic Printmaking

11. Extending Photographic Boundaries

12. Electronic Imaging: New Ways of Seeing

13. Possessing a Sense of History

14. Predarkroom Actions: Imaginative Thinking

15. Establishing a Personal Creation Process

16. Photographic Origins

17. Thinking within a System

18. Purposes of Photography

19. Special Classic Cameras and Equipment

20. What is a Camera?

21. The Pinhole Camera

22. Handmade Cameras

23. Toy Plastic Cameras: Low-Fidelity Aesthetic

24. Disposable Cameras

25. Macro Lenses: Extreme Close-Ups

26. Lensbaby and Bokeh: Controlled Depth of Field

27. Telephoto Lens: Compressed Depth of Field

28. Wide-Angle Lenses: Expanding the View

29. Panoramic Cameras

30. Miscellaneous Special Use Cameras

31. Stereoscopic Photography

32. Stroboscopic Photography

33. Underwater Equipment and Protection

34. Image Capture: Special-Use Films, Processing, and Digital Negative Making

35. Film and the Photographer

36. General Film Processing Procedures

37. Infrared Black-And-White Film

38. Extended Red Sensitivity Film

39. High-Speed Black-And-White Film

40. Heightening Grain and Contrast

41. Ultra-Fine-Grain Black-And-White Film: Ilford Pan F Plus

42. High-Contrast Litho Films

43. Making a Litho Negative

44. Orthochromatic Film

45. Paper Negatives and Positives: Contemporary Calotypes

46. Reversing Black-And-White Film

47. The Impossible Project: Instant Positive Film

48. Processing Black-And-White Film for Permanence

49. Digital Negative Making: An Overview

50. Scanners

51. Formulas of One’S Own

52. Basic Eqmipment

53. Chemicals

54. Preparing Formulas

55. US Customary Weights and Metric Equivalents

56. Black-And-White Film Developers

57. What Happens to Silver-Based Films during Exposure and Processing?

58. Image Characteristics Of Film

59. Components And Characteristics Of Black-And-White Developers

60. Basic Developer Types

61. Postdevelopment Procedures

62. Film Developer Formulas and Their Applications

63. Visual Test for Determining Processing Times and Iso

64. Is All This Necessary?

65. Analog Fine Printmaking: Equipment, Materials, and Processes

66. The Analog Fine Printmaking Process

67. Printing Equipment

68. Standard Printing Materials

69. Print Finishing

70. Special Printing Materials

71. Processing Prints for Permanence

72. Black-and-White Paper Developers

73. Paper Developer And Developing-Out Paper

74. Components Of Black And-White Silver Print Developers

75. Additional Processing Factors

76. Controlling Contrast During Development

77. Matching Developer And Paper

78. Developer Applications And Characteristics

79. Classic Paper Developer Formulas

80. Toning for Visual Effects

81. Processing Controls

82. Basic Types of Toners

83. Processing Prints to Be Toned

84. General Working Procedures for Toners

85. Brown Toners

86. Blue Toners

87. Red Toners

88. Green Toners

89. Toning Variations

90. Classic Historic Processes

91. Salt Prints

92. Cyanotype Process

93. History of the Ambrotype and Tintype Processes

94. Kallitype And Vandyke Brownprint Processes

95. Chrysotype Process

96. Platinum And Palladium Processes

97. Pigmented and Alternative Processes

98. Gum Bichromate Process

99. Tri-Color Gum Prints from Digital Negatives

100. The Bromoil Process

101. Gumoil

102. Mordançage

103. Lith Printing

104. Electrostatic Processes: Copy Machines

105. Electrophotography: The Xerox Flat Plate System

106. Toner Transfer Process

107. Transforming Photographic Concepts: Expanding the Lexicon

108. Hand Altered Work

109. Cameraless Images

110. Chemigram

111. Cliché-Verre

112. Extended Camera Exposures

113. Postcamera Technic Jes in Search of Time

114. Multiple-Exposure Methods

115. Fabrication: Creations Made for the Camera

116. Composite Variations

117. Processing Manipulation: Reticulation

118. Hand-Coloring

119. Airbrushing

120. Transfers and Stencils

121. Addendum 1 Safety Guidelines

122. Contact Allergies, Chemical Sensitivities, and Poison Control

123. Disposing of Chemistry

124. Darkroom Ventilation

125. Water for Photographic Processes

126. Index