تصویرسازی هویت: رسانه، حافظه و پرتره در عصر دیجیتال ۲۰۱۶
Imaging Identity: Media, memory and portraiture in the digital age 2016

1. List of figures

2. Acknowledgements

3. Contributors

4. Introduction: The time of the portrait is now

5. PART I: The work of the imagination

6. Rembrandt, or the portrait as encounter

7. Pictures for our time and place: Reflections on painting in a digital age

8. Diasporic looking: Portraiture, diaspora and subjectivity

9. PART II: Interfaces

10. The self-portrait and the film and video essay

11. The mutable face

12. BarkTV: Portrait of an innovator

13. Index

14. Figure 1.1: Portrait of Johannes Wtenbogaert (detail), Rembrandt Harmensz. van Rijn, 1633, 130 x 103 cm.

15. Figure 1.2: Self-portrait as the Apostle Paul, Rembrandt Harmensz. van Rijn, 1661, oil on canvas, 91 x 77 cm.

16. Figure 2.1: Left: Boatmen moored on a lakeshore, Adam Pynacker, 1668; Right: Proposal for landscaped cosmos, Sam Leach, 2010.

17. Figure 2.2: Untitled #2, from the series Yooralla at twenty past three, Micky Allan, 1978, watercolour and coloured pencil on silver gelatin print, 27.7 x 35.2 cm.

18. Figure 2.3: Large interior 173 (Micky), Jude Rae, 2005, oil on linen, 180 x 120 cm, winner of the 2005 Portia Geach Memorial Award for portraiture.

19. Figure 2.4: Drawing 101 (naked), Jude Rae, 2010, willow charcoal on Fabriano paper, 220 x 140 cm.

20. Figure 2.5: Sorcery painting (autumn echidna), Vanessa Barbay, 2011, echidna and rabbit-skin glue on canvas, 84 x 80 cm.

21. Figure 3.1: An ocean of bright clouds, an ocean of solemn clouds, Lindy Lee, 1995, photocopy and acrylic on board, 205 x 143 cm.

22. Figure 3.2: Birth & death, Lindy Lee, 2003, Installation Artspace, Sydney, inkjet print and acrylic on Chinese accordion books, installation dimensions variable.

23. Figure 3.3: Aaron, Gali Weiss, 2000, solvent transfer, charcoal, graphite, 76 x 56.5 cm.

24. Figure 3.4: MotherDaughter (as self-portrait), Gali Weiss, 2008, watercolour, solvent transfer, charcoal, graphite, 75 x 75 cm each of 6 panels.

25. Figure 3.5: FatherDaughter, Gali Weiss, 2008, ink and watercolour wash, solvent transfer, charcoal, graphite, 52.5 x 37 cm each of 14 panels.

26. Figure 3.5a: FatherDaughter (detail), Gali Weiss, 2008, ink and watercolour wash, solvent transfer, charcoal, graphite, 52.5 x 37 cm each of 14 panels.

27. Figure 3.6: MotherSon, Gali Weiss, 2008, solvent transfer, graphite, 37 x 30 cm each of 15 panels.

28. Figure 3.7: MotherSon II, Gali Weiss, 2008, black & white and colour solvent transfer, 60 x 40.5 cm each of four panels.

29. Figure 3.8: MotherSon III, Gali Weiss, 2008, black & white and colour solvent transfer, 60 x 40.5 cm each panel.

30. Figure 4.1: Autumn song (still), John Conomos, 1998, SP Beta, 23 mins duration.

31. Figure 4.2: The spiral of time (still), John Conomos, 2013, HD video, 5 minutes duration.

32. Figure 5.1: Photographic montage depicting different facial expressions induced by electrical currents.

33. Figures 5.2 and 5.3: The facial expression of fear being induced by electrical currents.

34. Figure 5.4: Left: Horror and Agony; Figure 5.5: Right: Terror.

35. Figure 5.6: Duchenne’s smile (still), two-channel video installation, Michele Barker and Anna Munster, 2009.

36. Figure 6.1: Left: Portrait of Ugolino Martelli, Angelo Bronzino, 1536 or 1537, oil on wood, oil on poplar wood.

37. Figure 6.2: Right: Djalkiri #1, David Bukulatjpi, Jennifer Deger and Marrawakamirr Marrawungu, 2009, video and acrylic on bark.

38. Figure 6.3: Djalkiri #1, Macquarie University Art Gallery, December 2009.

39. Figure 6.4: Djalkiri #1 (detail).

40. Figure 6.5: Jennifer Deger and Bangana Wununungmurra in the BRACS radio studio, Gapuwiyak 1999.

41. Figure 6.6: Family portrait #3, Christmas Birrimbirr (Christmas spirit), installation, Miyarrka Media, 2011.

42. Figure 6.7: Christmas with Wawa (still), Jennifer Deger with Susan Marrawakamirr Marrawungu, 2007.

43. Figure 6.8: The entrance to Bangana Wunungmurra’s funeral shade, 2001.

44. Figure 6.9: Portrait of father and daughter, 2005.

45. Figure 6.10: Studio portrait of Susan Marrawakamirr Marrawungu and Bangana Wunungmurra, 1997.

46. Figure 6.11: Family portrait at grave, 2007.

47. Figure 6.12: David Bukulatjpi painting Djalkiri #1, 2009.

48. Figure 6.13: Portrait of Bangana Wunungmurra, date unknown.

49. Figure 6.14: ONLY.FAMILY, Rowena Lay’pu Wunungmurra, 2010, phone‑made jpeg.

50. Figure 6.15: Djalkiri #1 (close-up), during test projections, 2009.

51. Figure 6.16: Jennifer Deger, Samantha Yawulwuy Wunungmurra, Antonnio Gurrururu Wanambi, Susan Marrawakamirr Marrawungu, Macquarie University Art Gallery 2009.