تاریخ فیلم به عنوان باستان شناسی رسانه: ردیابی سینمای دیجیتال ۲۰۱۶
Film History as Media Archaeology: Tracking Digital Cinema 2016

1. Contents

2. Acknowledgements

3. General Introduction. Media Archaeology: Foucault’s Legacy

4. I. Early Cinema

1. Film History as Media Archaeology

2. The Cinematic Dispositif (Between Apparatus Theory and Artists’ Cinema)

7. II. The Challenge of Sound

3. Going ‘Live’. Body and Voice in Some Early German Sound Films

4. The Optical Wave. Walter Ruttmann in 1929

10. III. Archaeologies of Interactivity

5. Archaeologies of Interactivity. The “Rube” as Symptom of Media Change

6. Constructive Instability. or: The Life of Things as Cinema’s Afterlife?

13. IV. Digital Cinema

7. Digital Cinema. Delivery, Event, Time

8. Digital Cinema and the Apparatus. Archaeologies, Epistemologies, Ontologies

16. V. New Genealogies of Cinema

9. The “Return” of 3D. On Some of the Logics and Genealogies of the Image in the Twenty-First Century

10. Cinema, Motion, Energy, and Entropy

19. VI. Media Archaeology as Symptom

11. Media Archaeology as the Poetics of Obsolescence

12. Media Archaeology as Symptom

22. Media Archaeology – Selected Bibliography

23. Index of Film Titles

24. Index of Key Words

25. Index of Names

26. Film Culture in Transition