تاریخ بازار هنر غرب: کتابی از نوشته های درباره هنرمندان، دلالان و بازارها ۲۰۲۳
A History of the Western Art Market: A Sourcebook of Writings on Artists, Dealers, and Markets 2023

1. CONTENTS

2. A NOTE TO READERS

3. INTRODUCTION

1. ART IN A COMMERCIAL WORLD

5. I. ART IN SOCIETY

6. Illusions of Disinterest

7. Marx on Ideology and Art

8. Avant-Garde and Kitsch

9. The Artworld

10. Culture Industry Reconsidered

11. II. THE VALUE OF ART

12. The Cultural Biography ofThings

13. Aura

14. Varieties of Artistic Value in Contemporary Aesthetics

15. The Production of Belief

16. The Paradox of Rarity: Photography

17. Symbolic Meanings of Prices

18. Art. . . Contemporary of Itself

19. I. THE SUPPLY OF AND DEMAND FOR WORKS OF ART

20. Two Paradigms of Artistic Activity

21. Arts Markets

22. II. THE NATURE OF THE DEMAND FOR WORKS OF ART

23. The Synchronization of Social Change in Europe

24. Economic Value as the Objectification of Subjective Values

25. Conspicuous Consumption and Pecuniary Canons of Taste

26. Collectors and Collecting

27. Connoisseurs and Experts

28. III. THE ARTIST: HOMO ECONOMICUS / FEMINA ECONOMICA

29. Art, Honor, and Excellence

30. Determining Value on the Art Market in the Golden Age

31. Reference, Deference and Difference

32. The Trademark Tracey Emin

33. Notes on the Mythic Being l – lll

34. Whose Image Is It?

35. IV. THE ART MARKET

36. Property and Exhibition Rights

37. Informational Efficiency of the Art Market

38. The Market for Modern Prints

3. THE ITALIAN CITY-STATES

40. The Culture of Consumption

41. Conditions of Trade

42. Italian Artists in Sixteenth-Century England

43. Leonardo and Leonardism

44. Marketing

45. The Market for Paintings in Italy

46. The Gender and Internationalism of Rosalba Camera

47. Letters to Isabella Stewart Gardner

4. ANTWERP

49. The Business of Art: Patrons, Clients, and Markets

50. Marketing Art in Antwerp

51. Pieter Aertsen’s Meat Stall as Contemporary Art

52. Second Bosch

53. A Sixteenth-Century Master-Pupil Contract

54. Exporting Art across the Globe

55. Trade and Art in Seventeenth-Century Antwerp

56. Rubens’s Studio Practice

5. AMSTERDAM

58. On Brabant Rubbish, Economic Competition, Artistic Rivalry, and the Growth of the Market for Paintings

59. Cost and Value in Dutch Art

60. Art Dealers in the Netherlands

61. Italian Paintings in Holland

62. Freedom, Art, and Money

63. Letters to Constantijn Huygens, ca. 1639

64. Attributions in Auction Catalogs

65. The Solliciteur-Culturel

66. I. GERMANY

67. The Reformation and the Decline of German Art

68. Art Auctions in Germany during the Eighteenth Century

69. II. SPAIN

70. Painting in Spain, 1500-1700

71. Exploring Markets in Spain and Nueva España

72. Spanish Art and Global Discourse

7. LONDON

74. Picture Consumption in London

75. The Art Market

76. England and the Netherlands Compared

77. Engraving

78. Hogarth

79. Portrait Painting as a Business Enterprise

80. Christie’s Auction House

81. Art Collecting and Victorian Middle-Class Taste

82. David Thomson and the Goupil Gallery

83. Whistler and the English Print Market

84. Roger Fry’s Commercial Exhibitions

8. PARIS

86. Gersaint and the Marketing of Art

87. David and the “Exposition Payante”

88. Noising Things Abroad

89. An Italian Patron of French Neo-Classic Art

90. Circuits of Production, Circuits of Consumption

91. Dealing in Temperaments

92. Courbet’s Landscapes and Their Market

93. The Retrospective Exhibition

94. Entrepreneurial Patronage in Nineteenth-Century France

95. Ambroise Vollard Correspondence

96. Vollard’s Bronzes

97. La Peau de I’Ours and Galerie Berthe Weill

98. The Steins’Early Years in Paris

99. The Avant-Garde, Order, and the Art Market

100. Galeries Georges Petit

101. Painting as a Safe Investment

9. ART CONSUMPTION IN INDUSTRIAL AMERICA

103. Touching Pictures by William Harnett

104. Winslow Homer as Entrepreneur

105. J. P. Morgan’s Renaissance Bronzes

106. The Armory Show

107. Alfred Stieglitz

108. Diary of an Art Dealer

109. Vollard

110. Press Release, Art ofThis Century

111. The Exhibitions at Art of This Century

10. NEW YORK

113. Artists and Dealers

114. Mark Rothko

115. The New York Art Market ca.1960

116. Clement Greenberg

117. Mike Wallace Interviews Marcel Duchamp

118. The Leo Castelli Gallery

119. Mr. Andy Warhol

120. The Gutman Letter

121. Unpublished Notes

122. Land Artists and Art Markets

123. Unpackaging Simulationism

11. THE GLOBAL ART MARKET

125. The Art Market in the 1980s

126. Video Art

127. Money Is No Object

128. The Internationalization of the Contemporary Art World

129. Neo-modernity, Neo-biennalism, Neo-fairism

130. ACKNOWLEDGMENTS

131. BIBLIOGRAPHY

132. INDEX