تخیل جانورگونه در هنر و فرهنگ چین ۲۰۱۶
The Zoomorphic Imagination in Chinese Art and Culture 2016

1. Contents

2. Preface

3. Acknowledgments

4. Chronology of Chinese Dynasties

5. Trading Places: An Introduction to Zoomorphism and Anthropomorphism in Chinese Art

6. chapter 1. The Taotie Motif on Early Chinese Ritual Bronzes

7. chapter 2. Labeling the Creatures: Some Problems in Han and Six Dynasties Iconography

8. chapter 3. Representing the Twelve Calendrical Animals as Beastly, Human, and Hybrid Beings in Medieval China

9. chapter 4. The Didactic Use of Animal Images in Southern Song Buddhism: The Case of Mount Baoding in Dazu, Sichuan

10. chapter 5. Evil Dragon, Golden Rodent, Sleek Hound: The Evolution of Soushan Tu Paintings in the Northern Song Period

11. chapter 6. Animals in Chinese Rebus Paintings

12. chapter 7. The Pictorial Form of a Zoomorphic Ecology: Dragons and Their Painters in Song and Southern Song China

13. chapter 8. The Political Animal: Metaphoric Rebellion in Zhao Yong’s Painting of Heavenly Horses

14. chapter 9. How the Giraffe Became a Qilin: Intercultural Signification in Ming Dynasty Arts

15. chapter 10. Weird Science: European Origins of the Fantastic Creatures in the Qing Court Painting, the Manual of Sea Oddities

16. chapter 11. Huang Yong Ping and the Power of Zoomorphic Ambiguity

17. Glossary

18. Contributors

19. Index