آجانتا: جایگاه آن در هنر بودایی ۲۰۲۳
Ajanta: Its Place in Buddhist Art 2023

1. Cover

2. Title

3. Copyright

4. CONTENTS 1

5. LIST OF MAPS AND FIGURES

6. LIST OF PLATES

7. ACKNOWLEDGMENTS

8. A NOTE ON QUOTATIONS, TRANSLITERATIONS, AND ABBREVIATIONS

9. INTRODUCTION

10. II HISTORICAL SETTING

11. THE VAKATAKAS

12. THE DECCAN AFTER THE SATAVAHANAS

13. EARLY INSCRIPTIONS OF THE VAKATAKAS

14. THE RA$TRAKUTAS OF MANAPURA

15. THE MAHARAJAS OF VALKHA

16. THE TRAIKOTAKAS

17. BUDDHISM AND THE DECCAN

18. Ill ICONOGRAPHIC DEVELOPMENTS

19. DEVELOPMENT OF THE VIHARA SHRINE

20. IMAGE AND STUPA BAGH

21. AJANTA XIX: SYNTHESIS AND INNOVATION

22. MUDRA, ASANA, AND SHRINE

23. DIFFERENTIATION AND CHANGING SIGNIFICANCE OF THE IMAGE IN THE MAHAYANA

24. AJANTA XVI: IMAGE AND PLAN

25. BEFORE AND AFTER

26. IV STYLISTIC TRENDS AND DEVELOPMENTS

27. THE NARRATIVE TRADITION AND THE BUDDHA IMAGE

28. LEGACIES OF THE NARRATIVE TRADITION: THE BUDDHA AND SECONDARY FIGURES

29. DEVELOPMENT OF THE BUDDHA IMAGE IN THE DECCAN

30. THE VIHARA SHRINE IMAGE

31. DECORATIVE ELEMENTS AND STYLISTIC CHRONOLOGY

32. STYLES, TRENDS, AND INFLUENCES

33. BAGH, AJANTA, AND KANHERI

34. THE GUIDING PRINCIPLE

35. V CONCLUSIONS

36. HISTORY AND PATRONAGE

37. SOURCES OF INFLUENCE

38. STUPA AND IMAGE

39. DEVELOPMENT OF VIHARA SHRINE

40. INSCRIPTIONAL EVIDENCE AND LINKS

41. INSCRIPTIONS AND CHRONOLOGY OF THE SHRINE IMAGE

42. TERMINOLOGY IN THE AJANTA INSCRIPTIONS AND THE MAHAYANA

43. RITUAL, PLAN, AND SYMBOLISM

44. THE NARRATIVE TRADITION AND THE MAHAYANA

45. HISTORY, STYLE AND RELIGION IN SUMMARY

46. BIBLIOGRAPHY

47. INDEX